This from the National Railway Museum...
National Railway Museum Director steps down
Steve Davies is to step down as Director of the National
Railway Museum to pursue a new venture in the private sector. He will be
leaving his post as of the end of October 2012.
Steve has been the Director of the National Railway
Museum since February 2010. He has presided over some high-profile projects
which include the ongoing restoration of Britain’s best known steam locomotive,
Flying Scotsman, the launch of a purpose built art gallery and Railfest - the
biggest ever gathering of rail record holders.
Steve said: “The National Railway Museum is a very
special place in the hearts of many people in this country, with an enviable
reputation internationally. I have been
proud and privileged to lead a highly motivated team over the last three years,
and hope that I have played my part in further promoting the Museum’s
fortunes. I have, however, decided to
accept a firm offer of employment in the private sector as Managing Director of
a company in the leisure and tourism industry.
The job I am moving to will provide me with an exciting and enjoyable
set of new challenges, which I look forward to immensely. I am sure the National Railway Museum will
move from strength to strength in the years ahead.
His position will be taken by an acting Director, Paul Kirkman,
from 5th November 2012. Paul joins on secondment from the Department for
Culture, Media & Sport.
Ian Blatchford, Director of the Science Museum Group
said: “Steve’s passion for trains and the railway industry has been evident in
everything that he has done at the National Railway Museum over the past two
years. We thank him for his contribution and look forward to working with his
successor to ensure that the National Railway Museum maintains its position as
the leading railway museum in the world”.
Paul Kirkman says: “I am delighted to have been invited
by Ian Blatchford to take up this position as acting Director of the National
Railway Museum. I am sure that my wide-ranging experience working with the
cultural sector at DCMS and elsewhere will help in the continued success of one
of Britain’s greatest museums.”
Ends
